With all due respect mistress, nearly any sound sample of a certain length may be perceived to have a tone.
Indeed. However, there is the matter of
extent, and in any event the composer can choose to emphasize these pitched qualities or not where they arise.
I can't be held responsible if the samples I've selected sound like they have a tonal relationship.
I never said I sensed tonal relationships anywhere. Merely that you used an (acutely) pitched instrument. And, for this, I
do hold you responsible.
I sort of assumed that everything that came in Reason's percussion sample directory would be fair game.
We all make mistakes.
I wanted to give the piece a little more character than could be achieved with basses, toms, snares, and cymbals alone.
I've seen pieces of, to my ears, great and varied character produced with various combinations of those instruments.
If we want to get picky, then would NES-style noise-snares count?
Yes, I would have admitted those.
It's all a matter of context and intent.
Indeed. I found your use of this very highly tuned bass-note to be melodic in character (you seem to use it as a lead), which is why I single it out.