Elk
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« Reply #11240 on: November 30, 2010, 11:42:30 AM » |
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Lucky train?
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For business inquiries send me a forum PM! No Revenue-Share stuff without proper contract.
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Vice President of Marketing, Romeo Pie Software
Level 10
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« Reply #11241 on: November 30, 2010, 12:00:50 PM » |
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trains
Oh man those look DELICIOUS.
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Bander
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« Reply #11242 on: November 30, 2010, 01:50:03 PM » |
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awesome 16 directional trains
Oh my god that is patience in pixeling right there.
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Xion
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« Reply #11243 on: November 30, 2010, 02:19:37 PM » |
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damn dude, and I thought 8 directions was painful enough. Superhot stuff.
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Ishi
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« Reply #11244 on: November 30, 2010, 02:29:32 PM » |
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Amaaaaziiiing!
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ink.inc
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« Reply #11245 on: November 30, 2010, 02:33:27 PM » |
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//amazing
It's Amaaaaziiiing
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Bones
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« Reply #11246 on: November 30, 2010, 02:55:56 PM » |
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Dan, top notch trains. Tasty. Got a little carried away with the spray can...
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« Last Edit: November 30, 2010, 03:03:51 PM by Bones »
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Sit down and relax, Keeping focus on your breath, This may take a while.
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JasonPickering
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« Reply #11247 on: November 30, 2010, 04:25:57 PM » |
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man ocean waves are hard any ideas or good reference?
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DanFessler
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« Reply #11248 on: December 01, 2010, 10:29:20 AM » |
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thanks a bunch guys, if you're curious about the process, here's what I did. I made a decision early on that I'd model the trains in 3D before starting the pixel process. Otherwise, the vast majority of the process would have just been measuring angles and proportions by hand to be consistent across all angles *before* even really starting the pixel rendering process... so I made a model and set a 100% white ambient light to the scene. Instead of texture mapping, I simply painted the faces of the model with solid color - just enough for me to keep track of all the detail later on in the pixel renders... Sometimes I'll duplicate+invert+expand the model to provide a rough outline to help keep track of detail... Then I render out the frames at game-scale... then i pixel over them to a polish.
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MaloEspada
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« Reply #11249 on: December 01, 2010, 10:48:20 AM » |
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thanks a bunch guys, if you're curious about the process, here's what I did. I made a decision early on that I'd model the trains in 3D before starting the pixel process. Otherwise, the vast majority of the process would have just been measuring angles and proportions by hand to be consistent across all angles *before* even really starting the pixel rendering process... so I made a model and set a 100% white ambient light to the scene. Instead of texture mapping, I simply painted the faces of the model with solid color - just enough for me to keep track of all the detail later on in the pixel renders... Sometimes I'll duplicate+invert+expand the model to provide a rough outline to help keep track of detail... Then I render out the frames at game-scale... then i pixel over them to a polish. brilliant process, dan.
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jotapeh
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« Reply #11250 on: December 01, 2010, 11:44:41 AM » |
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Well played, sir. You win the pixel game.
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J. R. Hill
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« Reply #11251 on: December 01, 2010, 12:14:08 PM » |
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Is the light source directly above?
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hi
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chumez
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« Reply #11252 on: December 01, 2010, 12:44:44 PM » |
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Those locomotives look amazing! Did you use a cel-shader?
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Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.
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DanFessler
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« Reply #11253 on: December 01, 2010, 01:10:22 PM » |
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JR Hill: well technically there were no lights set to the scene besides full ambient - but yes, the colors were painted as such as to reflect a top-down light. The reason for this is simple; so we can flip all the right-facing frames to the left without causing some weird lighting inconsistencies - halving our workload.
Chumez: Thanks! Nope, as explained in my previous post, the polys were simply painted flat colors in full ambient light (no shading).
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Xion
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« Reply #11254 on: December 01, 2010, 01:12:32 PM » |
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for the animated ones did you animate the model or was the motion done all in the post-3d pixeling?
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DanFessler
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« Reply #11255 on: December 01, 2010, 01:21:10 PM » |
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Monsoon2D (ben) actually animated the two shown here. For the gears on the steampunk, I actually supplied him with the gear rotation rough-animation which he cleaned up, but for everything else (and most animated things in general, unless it's a very mechanical-type animation) we animate by hand frame-by-frame.
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Türbo Bröther
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« Reply #11256 on: December 01, 2010, 01:41:38 PM » |
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The colouring on that bone train is sick.
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J. R. Hill
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« Reply #11257 on: December 01, 2010, 05:06:13 PM » |
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idk
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hi
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saibot216
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« Reply #11258 on: December 01, 2010, 06:31:15 PM » |
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It's a little bit haunting, but I like it!
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phubans
Indier Than Thou
Level 10
TIG Mascot
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« Reply #11259 on: December 02, 2010, 01:16:59 AM » |
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Dan... You WILL be the artist for Madhouse HD even if I have to kidnap you and lock you in the basement! I don't even have a basement, but I'll dig one just to lock you in it! But seriously... Holy crap dude... Seeing this makes me think we should do MHHD in pixel rather than Spelunky-HD style O_O Either way, you gotta be the art guy for this project
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